Original Art and Prints,
Purchasers: If you are interested in purchasing a piece of art or a print, you may contact us here. We will then put you in direct contact with the artist so you both may work out all of the details. All purchases, sales tax, etc. will be made directly between the artist and purchaser.
Artists who wish to participate in this program or have questions, may find additional information here.
Scroll down to view all Original Art For Sale. If a Print of the original art is available, it will be indicated in the description area.
TITLE: Wild Beautiful and Free
ARTIST: Kerma Boyum
MEDIUM: Acrylic on Wrapped Canvas
SIZE: 30 in. X 48 in.
My inspiration for this painting which I did in 2017 is the need to bring awareness to the decreasing numbers of horses allowed to run wild and free. As a child I grew up with horses on a farm in Montana but I was living in Southern California when I painted this so I painted them in the beach. I have a deep love of horses.
ARTIST: Kerma Boyum
MEDIUM: Mixed media on Wrapped Canvas – framed
SIZE: 24 in. X 36 in.
While living in Marina del Rey, California, my roommate had an Eye of Horus rug. He told me the meaning of the Eye of Horus and I was inspired to paint this version of it over a scene from Kanan Dume Road. Who wouldn’t want the Eye of Horus, an ancient Egyptian symbol of protection, royal power and good health hanging in their home or office?
PRINTS ARE AVAILABLE
ARTIST: Georgia Lambert
MEDIUM: Oil on Canvas – Prints Available
SIZE: Full Size
Prints of the original are For Sale for $80 each including insurance, taxes and shipping. The artist uses high-quality, heavyweight 7 mil semi-gloss paper using superior dye inks.
The Artist’s Story:: The week after the tsunami in Southeast Asia, I was moved to do this painting. It is a very large oil painting, and the detail does not show on this web example.
The detail in the water shows the beach, broken buildings and trains, and there are bodies in the waves. Up from the water, the Souls of those passing are lifted up into The Heart of the World Mother. I call it “Rescue” ~ Georgia Lambert ~ Watch the World Mother recite the Great Invocation here. Animation, vocal and original music by Georgia Lambert.
ARTIST: Elizabeth Boudreau
TITLE: Dancing Kudzu
MEDIUM: Water Color
SIZE: 9in. x 9in.
PRICE: $90 for original/$10 + Postage and Handling for Prints
“The Kudu antelope is one of my favorite animals. I first saw them when I was on a trip to South Africa last year. We were on safari and it was getting towards the end of the day when all of the sudden this huge herd of antelope appeared from out of nowhere. They were having a great time- playing and kicking – are guide told us that he had never seen Kudu act that way! I just fell in love with their playfulness so I took a picture. When I came home, I did this painting.”
ARTIST: Helen Kuykendall
TITLE: “Flying Home”
MEDIUM: Oil On Canvas
SIZE: 22 in. X 16 in.
“I am a landscape painter and naturalist. I was working on this landscape while grieving the loss of my beloved dog who had just passed away. He wasn’t a beagle but he had the spirit and attitude of the cartoon character “Snoopy”. As a way of reconciling my loss and commemorating his passing, I painted “Snoopy” flying through the air and going home.”
TITLE: Housing Market Crash
ARTIST: Nate Carlson
MEDIUM: Mixed media on panel
SIZE: 48 in. X 60 in.
“I painted this piece in 2017. In 2008, while the whole country went into a financial recession, the county I lived in experienced a terrible crash in the housing market as well. Many, many families lost their homes and had to move and start over. As I was painting this piece I thought about how it must feel to be trying to establish something and once within grasp, how it feels to lose it.”
PRINTS FOR SALE
TITLE: Monterey’s Cannery Row©
ARTIST: Maryann Miller
MEDIUM: oil on canvas
Not For Sale
The Artist’s Story: Monterey is a beautiful little town located on the Pacific Ocean in California. Author, John Steinbeck wrote several books that take place on Monterey’s Cannery Row, which sits directly by the ocean. Looking down along Cannery Row at the several canneries that stand vacant and crumbling creates a sense of Monterey’s diverse history of success and disappointment. Once a bustling fishing town, when the ocean’s currents changed and the tuna left, Monterey fell into an economic slump from which it never recovered. But what’s left are majestic views of an expansive bay, cliffs that drop hundred’s of feet off into the ocean, pines that only grow in the region and inspiring walks along uncrowded, sandy beaches where you can watch beautiful sunrises and sunsets.
After I heard that the Holiday Inn wanted to purchase this cannery, tear it down and build on the site, I was inspired to paint it so it wouldn’t be forgotten. Not long after I finished the painting, the cannery mysteriously burned down. There now stands a Holiday Inn on the site.
ARTIST: Broderick Flanigan
TITLE: Mary Frances Early
MEDIUM: acrylic on canvas
SIZE: 16 in X 20 in
PRICE: Not For Sale – Available in Prints
PRINTS: 16 X 20 are $35.50
“I am a self taught artist. About a year ago I took the “30 Portraits in 30 Days” artist challenge to improve my skill. I started off with drawing portraits of iconic black public figures, Dick Gregory, Martin Luther King Jr,but then as the days progressed I started to explore the leaders in my own community. It was then that I discovered Mary Frances Early who was the first black to graduate from the formerly segregated University of Georgia.”
ARTIST: M Anteau
MEDIUM: Comic Book
SIZE: 9 in X 12 in
PRICE: Not for Sale
“I’m an illustrator, writer and cartoonist. I always loved comic books, Quentin Tarantino films, horror and pulp fiction but I found it very “white guy” centric” so I set out to create something that would represent my generation of 20 somethings. I strive for a more modern approach to a comic book where the characters would be more androgynous in spirit as well as physicality and actions. I still want to keep it dark with lots of pulp exploitation and horror but I also want it to appeal to the LGBT community and be reader – friendly as well. Why do I call it LUNGS? I really can’t say other than I liked the word – I like how the letters look when cartooned. There could be a deeper meaning but that’s really the reason I chose it. Keep checking in with me as there’s more to come”
ARTIST: Karen Rogenberg
TITLE: Gold & Black Abstract
MEDIUM: Acrylic on Canvas
SIZE: 24 in X 30 in
“I love decay. I find great beauty in it. It’s like the distillation of time, life, history down to its very essence. I try to replicate that in my work. In this painting I was thinking about the interior walls of an old abandoned farmhouse. Broken windows, crumbling plaster, inner walls exposed to the elements, walls that had been painted and scrubbed a thousand times only to succumb to rain and mold. I used a pallet knife to create the depth and texture that time creates.”
ARTIST: Carlos Camblor
TITLE: Hibiscus Study
MEDIUM: Acrylic on Canvas, 62 in.
” I am actually a writer and I painted this piece to serve as cover art for a novel that I am writing. As cover art – the artwork of course needed to be bright and eye catching. I also needed it to give a clue as to what the book is about. In this book – I am exploring human stampede phenomena through the lens of the novel’s protagonist, a sociology student with an anxiety disorder, living in India. I chose Kali because she is the goddess that destroys evil and liberates souls. I depict her in this painting standing on top of trampled bodies left behind in the street as the result of stampede in India. I updated her a bit; I gave an iphone, a starbucks coffee, and Donald Trump’s head to hold.”
ARTIST: David Froetschel
TITLE: The Atmosphere Dam
MEDIUM: Charcoal & soft pastel on paper
SIZE: 12 in X 14 in
“This drawing was inspired by a really vivid dream that I had. In the dream – me and another person were swimming at a dam. The other person – I don’t know who it was – was out of the water and standing on the side of the dam. But I was under water and trying to emerge to the surface so I could breathe.”
TITLE: We Have to Talk
PHOTOGRAPHER: Christina Howells
SIZE: 10 in. X 14 in.
“I am a photographer who suffers from social anxiety disorder. I either hear things wrong or say things wrong, I’m never sure if my perceptions are accurate in social situations and so communication is very stressful for me. I had an exterminator out to my house one day. I was inside photographing things just laying around when the exterminator, having just finished up, came into the room to tell me he was finished. He was holding a perfectly round piece of honeycomb that he had collected from the eaves of my house and asked me if I would like to have it. I said “sure” and upon inspection, determined that it was the same size as the earpiece on my telephone. I placed it on top, it fit perfectly and I snapped the picture.”
ARTIST: Will Ingram
MEDIUM: Ink and Acrylic On Canvas
SIZE: 12 in. X 14 in.
“I originally started this painting as a gift for my Mom. I do a lot of artwork on shoes and urban clothing and my subject matter is usually dark and gory. Since this was for my Mom I tried using a lighter color pallet and more feminine theme. I chose the image of a girl day- dreaming about who she could take to the prom with all her prospective choices. I’m still a fantasy artist so this is basically my rendition of teenage alien angst.”
TITLE: THE BURDEN
ARTIST: Sondra L Miller
MEDIUM: Charcoal on Paper
SIZE: 12″ x 17″ (unframed)
For Sale: $150, including insurance, taxes and shipping
The Artist’s Story: This was a 30 second pose figure drawing that I did with charcoal. I liked the pressure and
the strength it shows, That is why I titled it “The Burden”. We all have our burdens to bear; be they real or imaginary. We either rise to the occasion or crumble beneath the pressure. Either fate still leaves us tattered, torn and scarred.
PRINTS ARE AVAILABLE
ARTIST: Georgia Lambert
MEDIUM: Oil on Canvas- Prints Available
SIZE: 20″ x 16.48″
The original is not for sale but prints are available for $40 each. The artist uses high-quality, heavyweight 7 mil semi-gloss paper using superior dye inks. Image size is 20″ x 16.48″.
The Artist’s Story: The original oil painting of the Goddess SEKHMET, was painted as one of a series of Western, Warrior Goddesses.
The Goddess SEKHMET is shown in both her aspects, as a Lioness, and as a Woman. The first thing I tried to create in this painting, was the quality of Light. In the original, this is more apparent, but if you will notice, the right side of the painting is in evening light, and the left side, in bright afternoon sun. The right side of the brain is the invocative side and, as in ancient cultures the new day began at sunset. This side of the painting heralds the new era. The Goddess lifts her left hand (right brain) to the evening sky. A symbolic doorway appears over the constellation ORION. The star SIRIUS can be seen faintly in the woman’s hair, behind her hand. This is the sacred space of the sky the Egyptians called the DUAT, the region to which OSIRIS would rise and rule. A black hole opens in the center of ORION, a gateway to other dimensions. SEKHMET invokes the future via this opening, and the Light of its Soul pours through, creating a blue-white beam downward to the eye of Hours, to ground far beneath the Earth in the very heart of our planet.
In looking at some of the symbology of this painting, one notices that the Lioness is not an African Lion, but a North American Panther. I chose this because in several Esoteric traditions, America is considered reincarnated Egypt. The crown on the head of the Lioness is taken from Egyptian wall paintings, but I arranged the lotus flower to bend over the Ajna Center, the chakra between the brows. The stem of the blossom curves around the crown it emulate the serpent and apple of the Garden of Eden. The blossom falls directly in the center of the head of the woman, a mystical place of meditation, the heart center within the head.
At the far-left edge we see the ghostly figure of NEKHBET, the Vulture Goddess, symbolizing Upper Egypt, and the South. As vultures disperse the dead, she along with the other gods is on the side of the waning sun, the age now passing. Below her is of course, HOURS, the falcon, reaching with left wing toward the new light. The wing crosses a large vertical opal in the collar of the Goddess. Opals were not only a symbol of synthesis because of their many colors, but were also associated with death, The falcon stands upon a ruby disc, symbolizing purpose, power, will, and the beginning and ending of cycles. This round ruby is covered by the head of ANUBIS, guardian of the Underworld, and director of initiation. The body of ANUBIS and the alter upon which he crouches, lies on the vertical Golden Section proportion of the painting. This is the proportion of all of Nature, and the signature of this planet. The angle of the beam of new light is just less than 90 degrees, at 86. This is the number of death, the passing of an age into the birth of the new. This new Light, transmitted to the heart of the earth produces transmutation of the past. Below, the small humans attending the Temple echo these themes. They have built invocative obelisks at the Eastern door of the Temple, and set their lights ablaze. The temple itself is of course, a pyramid, which means, “fire in the middle”. Man, the living Spark of God, is that fire which bridges dimensions, and relates the new Fire of Heaven, with the Ancient Fires of the Earth. (The original oil, was painted in 1997, and resides in a private collection.)